(Introducing) The Seekers

  

(WG-B-1655)

Recording Engineer: Russ Thompson

Cover Design: Karen

Cover Photograph: Barrie Bell (Fanfare Films)

General Notes: As far as Seekers albums go, this one is a gem and probably the hardest to find on vinyl! Why? According to The Seekers, Keith Potger worked for the government-owned radio station, the ABC in the early 1960s. He was in production. As such, he wasn't allowed to have a second job and being in a professional band would be considered as such.

When The Seekers produced this, their first album, Keith was unable to appear on the cover. So, in his place, Ken Ray stood in (L-R: Judith Durham, Ken Ray, Bruce Woodley and Athol Guy). By the time the LP was released by Decca in the UK, the problem no longer existed and Keith was featured on the cover. Interestingly, Potger isn't given any arranging credits on the original album either, with the exception of "Chilly Winds".

Liner Notes: "There are many songs to sing, about many things - ramblin' men, wayward women, war and peace, true love, lost love and the good times and the hard. We like these songs about life, about real people like you and us, about fascinating times and places that come along alive in song.

We don't claim to be folk singers in the true sense of the word. Then again, we don't regard ourselves as being 'commercial'. Why? Because we sing the songs we like, the way we like and the way we think people will ike to hear them. No long-haired ethnic purity for us, it's more fun our way.

Sincerely, The Seekers"

Track Listing/Notes:

(SIDE ONE)

DESE BONES G'WINE RISE AGAIN

(arr. Guy-Woodley-Durham-Ray (Woomera) 3:30)

The negro slave could always see humour in any thing, even in the stern religion of his masters. He humanized his religion by adoptioing Biblical characters as his personal friends and confidants. This gospel song is a humorous version of Man's well-known fall in the Garden of Eden.

WHEN THE STARS BEGIN TO FALL

(arr. Guy-Woodley-Durham-Ray(Woomera) 4:00)

This spiritual is typical of those sung by negro slaves about the 'Day of Reckoning' - the day when they would rise up and overthrow their cruel white masters. "Seems to us that Day has just about done come".

RUN COME SEE

(arr Guy-Woodley-Durham-Ray (Woomera) 3:30)

The story of the tragic sinking of the good ship Pretoria off the Bahamas in 1929.

THIS TRAIN

(arr Guy-Woodley-Durham-Ray (Woomera) 3:00)

Traditional gospel song. This is our up-tempo version of the old time favourite.

ALL MY TRIALS

(arr Guy-Woodley-Durham-Ray (Woomera) 3:30)

Judy Durham sings a West Indian version of this beautiful spiritual, as a child's lullaby.

THE LIGHT FROM THE LIGHTHOUSE

(arr Guy-Woodley-Durham-Ray (Woomera) 2:40)

"Let It Shine On Me" Hallelujah! It's a real pleasure to sing a foot-stomping, hand-clapping "hot gospel" like this one. It's one of our favourites, we hope you like it too.

(SIDE TWO)

CHILLY WINDS

(Potger (Woomera) 2:34)

Hear those winds howl! Good enough reason for our hero to leave his true love for sunnier climes.

KUMBAYA

(arr Guy-Woodley-Durham-Ray (Woomera) 3:00)

(African pronunciation of "Come by here"). This beautiful and simple spiritual is almost humn-like in its sound. Judy Durham's superb voice rings pure and clear - "Oh Lord Kumbaya".

THE HAMMER SONG

(Seeger-Hays (Essex) 2:53)

A thought-provoking contemporary Ballad by Pete Seeger and Lee Hays. Listen to the words, there's a message there for all of us.

WILD ROVER

(arr Guy-Woodley-Durham-Ray (Woomera) 2:20)

A delightful Australian folk song with a "prodigal son" theme. The moral hasn't changed since Biblical times, only our Australian character. A "black sheep" in the best tradition.

KATY CLINE

(arr Guy-Woodley-Durham-Ray (Woomera) 2:20)

Bluegrass music forever! Katy Cline is the object of affection in this tale of unrequited love. Feel free to accompany us on Jaw's Harp, Whisky Jug or whatever's handy.

LONESOME TRAVELLER

(arr Hays (Essex) 2:35)

A hard driving southern mountain song presumably sung by a ramblin' man, although where he came from or where he's going, he doesn't say.

-oOo-

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